Literary license as one of the trends in fiction translation (based on the translation of “The Last Tryst” story by N. Gabyshev into Russian)
https://doi.org/10.25587/2782-6635-2024-2-73-80
Abstract
Within the realm of Russian fiction translation, contrasting approaches of literal translation and literary license have surfaced. This article delves into the characteristics of literary license within fiction translation, elucidating its criteria through an examination of "The Last Tryst" story by N. Gabyshev and its rendition into Russian as illustrative instances. The author of the article asserts that recognizing the asymmetry inherent in literary license is crucial for achieving adequacy in conveying the author's ideas and fictional universe. The Russian translation displays disparities, inaccuracies, and falls short of fully encapsulating the author's style, resulting in a diminished emotional impact and some discordance. Nevertheless, it is essential to acknowledge that literary license translation is inherently interpretative—a creative endeavor characterized by asymmetry and license. The quality and adequacy of a translation are contingent upon the translator's depth of exploration into the author's creative universe, comprehension of their stylistic nuances, and awareness of the author's underlying intentions.
About the Author
Ya. N. TitovRussian Federation
Yakov N. TITOV– Cand. Sci. in Pedagogy, Master of Linguistics, Independent Researcher
Yakutsk
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Review
For citations:
Titov Ya.N. Literary license as one of the trends in fiction translation (based on the translation of “The Last Tryst” story by N. Gabyshev into Russian). Issues of National Literature. 2024;(2):73-80. (In Russ.) https://doi.org/10.25587/2782-6635-2024-2-73-80
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