The article aims to make a comparative analysis of the works of Abai Kunanbaev "Words of edification" [1] and Aleksei Kulakovsky "To the Yakut Intelligentsia" [2]. The relevance of the article lies in the fact that no such comparative work has been undertaken before. The purpose of the work is to note in these works similar ideas in meaning, so significant in the spiritual heritage of the appeals of the poet – thinkers, directly addressed to their people. The idea that these messages have similar thoughts and problems is substantiated, and examples are given. Special attention is paid to the content of these works. This problem has been little studied and requires further research. This view will be of interest to specialists in the field of humanities

The theme of love and beauty is key in the work of Sergei Moskvitin. According to Moskvitin, poetry, beauty and love are the three pillars on which the entire planet rests. At the same time, the concepts of “woman”, “beauty”, “inspiration” are inseparable for the author. Woman is identical with love, the author deifies her, belittling himself. The image of a woman is slightly blurry and not specified in Moskvitin’s works, unlike landscape lyrics, where every detail is carefully described. At the same time, landscape lyrics and love lyrics are inseparable: through the prism of describing nature, one can guess the author’s mood, some milestones in the biography. For example, when a romantic relationship with a lady begins, the description of nature is positive; when disagreements occur, the hero and heroine are tormented by doubts, nature and natural phenomena echo these feelings. The author is no stranger to the sensual side of the relationship between a man and a woman. However, platonic love predominates in creativity The description of intimate scenes is always complemented by the chanting of love, the beloved woman, which fully conveys a respectful attitude towards the heroine. The author emphasizes that women are different, but each is beautiful and worthy of love, its own poet who sings of her beauty. The author appreciates not only external beauty, but more spiritual beauty. Moskvitin's love lyrics are autobiographical; they are expressed in poems and messages to the woman he loves, as evidenced by the conclusions drawn by the researchers

The article interprets the image of the “iron city” in Yakut prose in the context of the geopoetic discourse of the city/village, the degree and nature of perception of which can contribute to the reflection of the peculiarities of the national worldview and the dynamics of the mental landscape in literature. In the context of the stated theme, the consideration of the image of the prose hero, whose consciousness is extremely responsive to the modifications of time and the surrounding landscape (the new space of the city as noisy, interesting, frightening) is of special importance. The identification of the boundaries and borders of space in the context of the chronotopic system accentuates interest in the liminal (intermediate) chronotope of the road as a special chronotopic complex, also iron images, white motor ship, airplane, train, and so on. The process of evolution of the hero of the road, which is fully revealed in the space of the road, most clearly reflects the problem of human self-identification in a huge urban space. Such a perspective of research contributes to the disclosure of genre and style evolution of Yakut literature as a developing dynamic system, and, importantly, to the identification of unique artistic markers of the author's style, as well as the image of the writer as an original carrier of national identity

The article is devoted to such previously little-studied objects in world science as drama, genre and style features and speech of characters in Kazakh dramatic works. The scholarly novelty of the article lies in the fact that on the basis of specific facts, genre features, dramatic situations, stylistic mastery of playwrights, the language of characters in plays in comparison with the works of other nations were revealed. The characters of the main characters, as well as dramatic dialogue and monologue were considered. Masters of artistic words, not content with the treasures of the literary language, are constantly learning the language that is accessible to a wide range of readers and in which priceless masterpieces of art are created. The research comprehensively studies the process of transforming a prose work into a dramatic composition. In the process of transition from folklore, epic to drama, staging in the foreground should be a dramatic incident, dramatic conflict, dramatic character and dramatic language; this is the main requirement of the genre

The article examines the poetics of the landscape of Konstantin Paustovsky's late prose. The novelty and relevance of the research is due to the fact that the article clarifies and details the features of the writer's prose of the 1940s and 1960s in the context of landscape poetics. When analyzing the use of landscape in the structure of Paustovsky's works, it was revealed that in late prose landscape descriptions are not just inserts or decorations, but are closely interrelated with the overall composition of the works, affecting their artistic integrity. Paustovsky masterfully fits landscape descriptions into the structure of his works, using them as an important element of the plot and atmosphere. Landscapes often serve not only as a colorful background for action, but also perform the function of historical context, philosophical depth of the content of the works, symbolic representation of the inner state of the characters and the key themes of the work. In addition, natural descriptions can serve as structural elements, linking individual parts of the work and creating a harmonious rhythm of the narrative. Thus, the landscapes in Paustovsky's later stories become an integral part of the overall composition of the text, contributing to the deepening of the meaning and emotional tension of the work

The study of the linguistic and stylistic features of works, both in scholarly and practical terms, is relevant for stimulating the further development and improvement of the stylistic capabilities of the writer's language. The study of the linguistic richness of the poetic works by Platon Alekseevich Sleptsov-Oyunsky (1893-1939), one of the founders of Yakut Soviet literature, poet, prose writer, playwright and philologist, and his stylistic and artistic-visual means makes it possible not only to deeply and comprehensively evaluate the poet's works, but also helps to study the Yakut literary language, as well as the state of the art of the word of the first half of the twentieth century. In the Oyunsky’s poetry, the rich pictorial possibilities and artistic forms of the Yakut vocabulary are revealed. The language of Oyunsky's poetic works forms a peculiar style of the writer, which determines the ideas, thoughts of the poet, his mood. The material for studying the language of Oyunsky's poetry was the texts of the poet's poetic works from the book "Selected Works" (volume 1, 1992). The study used the method of continuous sampling and the descriptive method. Based on the analysis, it is concluded that the special, heroic, revolutionary style of the poet was created through his use of neologisms, paired, doubled words, synonyms, antonyms. Sensitivity to language, characteristic of the poet, is clearly manifested in the diverse implementation of linguistic means. In the Oyunsky’s poetry, semantic, lexical and stylistic innovations of general artistic means of expression are widely used.

The relevance of the research is due to the increased interest of readers in the work of Yakut writer Valentina Gavrilyeva, as well as the need to comprehend and analyze her works from the perspective of new aesthetic and methodological requirements of the time. The purpose of the study is to perform a comparative analysis of the magazine (1970) and book (1971) editions of the story "Little Red Riding Hood and the Gray Wolf, as well as the story of how the old man Bahylayka almost "got smarter" and about Manchaary, who secretly took Care of Katie" by Gavrilyeva. The article is devoted to identifying amendments and ways to improve the work, analyzing the dynamics of the growth of the author's skill in connection with the preparation for the publication of the collection "Rosehip" and studying at the Literary Institute. This story is the only work in the work of the writer, which we have established two editions. In this regard, a comparative analysis of the works by Gavrilyeva is performed for the first time, which may indicate the scholarly novelty of the study. At the end of the work, the author's ideological and compositional improvements were revealed, namely, adjustments to the artistic idea and parts of the composition, changes in the names of characters. The results of this study can be applied in the further study of the history of the development of prose in Yakut literature, the poetics of the work of Yakut writer Valentina Gavrilyeva